Experimental and immersive, this group exhibition tackled fundamental questions about the nature of being indigenous in a contemporary world.
November 19, 2011 to February 5, 2012
With contributions by artists from around the world, Bob Haozous, Kimberly Hargrove, Joseph Sanchez, Roxanne Swentzell, and multi-media collaborator Darwin Grosse mounted a creative dialogue appealing to the senses and to the emotions.
Roxanne Swentzell, “The Corn Mothers Are Crying,” clay
Bob Houzous, “Eco War Clubs,” mixed media
Kimberly Hargrove with contributions by Kevin Pourier, film still from “Threshold of Perception,” 2011, digital video